How to Use a Gallery to Sell Your Artwork


If you’ve been wanting to sell your artwork and are looking for a professional gallery to showcase it, you’ve come to the right place. While most galleries don’t pay a stipend to artists, they do cover expenses such as production and shipping. This includes storage and photographic documentation. If your work is large, the gallery will incur large production expenses. Your job is to work out a deal with the gallery to help cover these costs.

A gallery wall is a wonderful way to showcase your client’s art collection. You don’t have to make it formal, but you should keep the pieces similar in style and medium. Also, a central piece should anchor the display. This way, your guests can walk into your home knowing that you’re a connoisseur of art. It’s also a great way to show off your clients’ favorite pieces. But be careful not to go overboard with a gallery wall.

If you’re not a photographer, creating a gallery is a great way to display your art. Using a gallery allows hobbyists to set up a visual exhibit of their work, while online store owners can showcase their products in a browse-friendly format. For a professional site, creating a slideshow can showcase team members and events. While adding a single image to a blog post is easy to do, multiple images will tend to make the post look cluttered. Visitors will have to scroll down the page to view all of the images. By creating a gallery, visitors will be able to see the images in a more compact, easier to read format.

The upper section of a gallery is often slanted, so it can be cheaper than the seats on the main floor. The uppermost gallery usually has the lowest seats. The main floor, however, is expensive for this reason. Some galleries charge more for this privilege, but the price of upper-class seats is generally cheaper than the price of seats in the main floor. In addition, some artists are already making work for the new medium. While it’s impossible to predict the future of art, Bitner’s optimism about innovations in the gallery world includes transparency and inclusion.

While the National Gallery has been engaged in a masterplan to transform disused office space, it’s only recently that it has opened up an extension for its use. The gallery also bought land from the National Portrait Gallery in St Martin’s Place and named it the East Wing Project in 2004. The new addition was completed in September 2005, providing a new entrance from Trafalgar Square. It also refurbished the main entrance. It’s important to note that the National Gallery’s new addition was designed by Sir Tim and Simon Sainsbury.

Despite the shortcomings of the original Wilkins building, Barry’s new wing compensates for its lack of architectural value by being small and intimate. Its interiors are influenced by the interiors of a Filippo Brunelleschi church and the toplit galleries of the Dulwich Picture Gallery. The stone dressing is pietra serena, a grey stone native to Florence. The northernmost galleries align with Barry’s central axis, creating a continuous vista down the length of the gallery.